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The Oxford History of the Novel in EnglishVolume 12: The Novel in Australia, Canada, New Zealand, and the South Pacific Since 1950$
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Coral Ann Howells, Paul Sharrad, and Gerry Turcotte

Print publication date: 2017

Print ISBN-13: 9780199679775

Published to Oxford Scholarship Online: June 2018

DOI: 10.1093/oso/9780199679775.001.0001

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Multicultural and Transnational Novels

Multicultural and Transnational Novels

Chapter:
(p.452) 29 Multicultural and Transnational Novels
Source:
The Oxford History of the Novel in English
Author(s):

James Meffan

Publisher:
Oxford University Press
DOI:10.1093/oso/9780199679775.003.0032

This chapter discusses the history of multicultural and transnational novels in New Zealand. A novel set in New Zealand will have to deal with questions about cultural access rights on the one hand and cultural coverage on the other. The term ‘transnational novel’ gains its relevance from questions about cultural and national identity, questions that have particularly exercised nations formed from colonial history. The chapter considers novels that demonstrate and respond to perceived deficiencies in wider discourses of cultural and national identity by way of comparison between New Zealand and somewhere else. These include Amelia Batistich's Another Mountain, Another Song (1981), Albert Wendt's Sons for the Return Home (1973) and Black Rainbow (1992), James McNeish's Penelope's Island (1990), Stephanie Johnson's The Heart's Wild Surf (2003), and Lloyd Jones's Mister Pip (2006).

Keywords:   multicultural novel, transnational novel, New Zealand, cultural identity, national identity, Albert Wendt, James McNeish, Stephanie Johnson, Lloyd Jones

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