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The Oxford History of the Novel in EnglishVolume 12: The Novel in Australia, Canada, New Zealand, and the South Pacific Since 1950$
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Coral Ann Howells, Paul Sharrad, and Gerry Turcotte

Print publication date: 2017

Print ISBN-13: 9780199679775

Published to Oxford Scholarship Online: June 2018

DOI: 10.1093/oso/9780199679775.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 20 October 2019

The Short Story in Canada

The Short Story in Canada

Chapter:
(p.344) 22 The Short Story in Canada
Source:
The Oxford History of the Novel in English
Author(s):

W. H. New

Publisher:
Oxford University Press
DOI:10.1093/oso/9780199679775.003.0025

This chapter discusses the history of short fiction in Canada. The first decade of the twenty-first century witnessed several social changes that affected the publication of short stories in Canada. Electronic media began to impinge on print media, and bookstores, especially the small independents, were forced to shut down due to competition from big box stores, online companies, and electronic downloading practices. The chapter examines important developments that contributed to the growth of the Canadian short story, including the establishment in 1970-71 of the Montreal Storytellers Fiction Performance Group and the publication in 1985 of the first collection of contemporary Canadian speculative fiction, Tesseracts, edited by Judith Merril. It also considers works by late twentieth-century writers, who focused on post-nationalism, third-wave feminism, post-realism, and post-temporality.

Keywords:   short fiction, Canada, electronic media, short story, Montreal Storytellers Fiction Performance Group, Tesseracts, post-nationalism, third-wave feminism, post-realism, post-temporality

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