Barry Unsworth’s Sacred Hunger and Amitav Ghosh’s Sea of Poppies develop cognitive-affective maps of empire that reveal its totalizing ambitions. They deploy realist techniques to do so while displaying an intense self-consciousness about such techniques’ limitations. The maps they draw link the Atlantic world (and slavery) with the Indian Ocean (and indentured servitude). This angle of vision moves the historical novel’s frame of reference beyond both the nation and the mono-oceanic paradigms that have emerged as alternatives to nation-based understandings. Finally, and drawing especially on the work of Dipesh Chakrabarty, the chapter shows that the novels retrieve from historicist time the inassimilable, heterotemporal residues of utopian alternatives to the colonial, which draw upon while radically refashioning “premodern” and pre-secular modes of affinity.