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Poetry, Politics, and the Body in RimbaudLyrical Material$
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Robert St. Clair

Print publication date: 2018

Print ISBN-13: 9780198826583

Published to Oxford Scholarship Online: October 2018

DOI: 10.1093/oso/9780198826583.001.0001

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Introduction

Introduction

Chapter:
(p.1) Introduction
Source:
Poetry, Politics, and the Body in Rimbaud
Author(s):

Robert St. Clair

Publisher:
Oxford University Press
DOI:10.1093/oso/9780198826583.003.0001

The introduction to Poetry, Politics, and the Body in Rimbaud positions the work within the emergent and intersectional field of scholarship of new literary materialisms, and outlines a theory of reading the materiality of poetry (in Rimbaud and in general) as one which involves an interlocking set of relations linking texts to other texts (or, intertexts) as well as to their historical and social contexts. It seeks from the outset to demonstrate both the stakes and the method of formal analysis of Rimbaud’s early poetry which inform study overall, showing how attention to fine textual detail—and in particular to the question and figure of the body, a core surface on which Rimbaud’s radical politics and revolutionary poetics are especially legible—opens Rimbaud’s poetry up to a broader array of relations to poetic, philosophical, and indeed political issues and problems which continue to concern us today.

Keywords:   Rimbaud, Verlaine, the lyric, French versification, poetics and politics, Marx, utopia, the body/the corporeal, new materialism, history and literature

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