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Tombs of the Ancient PoetsBetween Literary Reception and Material Culture$
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Nora Goldschmidt and Barbara Graziosi

Print publication date: 2018

Print ISBN-13: 9780198826477

Published to Oxford Scholarship Online: October 2018

DOI: 10.1093/oso/9780198826477.001.0001

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Introduction

Introduction

Chapter:
(p.1) Introduction
Source:
Tombs of the Ancient Poets
Author(s):

Nora Goldschmidt

Barbara Graziosi

Publisher:
Oxford University Press
DOI:10.1093/oso/9780198826477.003.0001

The Introduction sheds light on the reception of classical poetry by focusing on the materiality of the poets’ bodies and their tombs. It outlines four sets of issues, or commonplaces, that govern the organization of the entire volume. The first concerns the opposition between literature and material culture, the life of the mind vs the apprehensions of the body—which fails to acknowledge that poetry emerges from and is attended to by the mortal body. The second concerns the religious significance of the tomb and its location in a mythical landscape which is shaped, in part, by poetry. The third investigates the literary graveyard as a place where poets’ bodies and poetic corpora are collected. Finally, the alleged ‘tomb of Virgil’ provides a specific site where the major claims made in this volume can be most easily be tested.

Keywords:   Literary reception, material culture, cultural studies, sites of memory, mortality, transhistorical humanism, death of the author, Virgil

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