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Thinking Through PoetryField Reports on Romantic Lyric$
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Marjorie Levinson

Print publication date: 2018

Print ISBN-13: 9780198810315

Published to Oxford Scholarship Online: September 2018

DOI: 10.1093/oso/9780198810315.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 13 December 2019

Introduction

Introduction

Crooked Lines and Moving Targets1

Chapter:
(p.1) 1 Introduction
Source:
Thinking Through Poetry
Author(s):

Marjorie Levinson

Publisher:
Oxford University Press
DOI:10.1093/oso/9780198810315.003.0001

The Introduction explains the combination of a narrative arc and conceptual structure in the organization of the book. The former, primarily diachronic, discussion is concerned with the development of the field of Romanticism since the 1980s, presented through both a review of scholarship and exemplary readings of well-known lyric poems. The latter, predominantly synchronic, presentation entails an argument for the analytical value of field theories of form—that is, frameworks drawn from early modern philosophy (Spinoza) and postclassical life- and physical sciences, especially models of self-organization. As an alternative to the external, retrospective perspective provided by, for example, Rita Felski in The Limits of Critique, it draws on the work of Martin Heidegger, Pierre Macherey, and the poet-critic J. H. Prynne to offer a conjunctural approach.

Keywords:   Romanticism, lyric poetry, literary theory, form, J. H. Prynne, Spinoza, Pierre Macherey, Martin Heidegger, materialism, scientific models

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