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Dramatic GeographyRomance, Intertheatricality, and Cultural Encounter in Early Modern Mediterranean Drama$
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Laurence Publicover

Print publication date: 2017

Print ISBN-13: 9780198806813

Published to Oxford Scholarship Online: September 2017

DOI: 10.1093/oso/9780198806813.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 15 November 2019

Introduction

Introduction

An Uninhabited Island?

Chapter:
(p.1) Introduction
Source:
Dramatic Geography
Author(s):

Laurence Publicover

Publisher:
Oxford University Press
DOI:10.1093/oso/9780198806813.003.0001

The Introduction lays out the argument of the book, in part through discussion of critical responses to the geography of Shakespeare’s The Tempest. Situating the book’s critical approach within the several scholarly fields it engages, including theatre history, theories of genre, Mediterranean studies, and theories of intertextuality, it then outlines the contribution Dramatic Geography makes to existing discussions of early modern Mediterranean plays. The Introduction goes on to offer an overview and analysis of how early modern drama stages space and location, working through episodes from plays including Henry V, Hamlet, and Antony and Cleopatra. Finally, it differentiates early modern ways of staging space from those employed in the Restoration theatres, stressing the greater flexibility and complexity of early modern methods, and makes a case for the importance of understanding dramatic geography if we are better to comprehend the ways in which drama creates meaning.

Keywords:   early modern drama, literary geography, dramatic geography, Mediterranean, romance, intertheatricality, Islam and the West, theatre history, intertextuality, Shakespeare

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