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Myths of the Underworld in Contemporary CultureThe Backward Gaze$
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Judith Fletcher

Print publication date: 2019

Print ISBN-13: 9780198767091

Published to Oxford Scholarship Online: June 2019

DOI: 10.1093/oso/9780198767091.001.0001

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Chapter:
(p.13) 1 Source Texts
Source:
Myths of the Underworld in Contemporary Culture
Author(s):

Judith Fletcher

Publisher:
Oxford University Press
DOI:10.1093/oso/9780198767091.003.0001

Chapter 1 provides an overview of ancient Greek and Roman descent tales, and a synthesis of themes that they share with each other and contemporary adaptations. The focus is on the Odyssean Nekyia; the history of the tradition of Heracles’ descent, reenacted by the god Dionysus in Aristophanes’ comedy Frogs (405 BCE); the catabasis of Aeneas in book 6 of Vergil’s Aeneid; two versions (from Vergil’s Fourth Georgic and Ovid’s Metamorphoses) of Orpheus’ trip to Hades to retrieve Eurydice; and finally the myth of Persephone in the Homeric Hymn to Demeter. Spanning a period of roughly eight centuries, these ancient tales convey a sense of the underworld as a literary space or intertextual archive that can be accessed and adapted by successive generations of storytellers. The chapter ends with a list of elements shared by ancient and contemporary descent narratives.

Keywords:   descent myths, Nekyia, Odysseus in Hades, Heracles’ catabasis, Dionysus in Hades, Aeneas’ descent, Vergil’s underworld, Orpheus and Eurydice, Persephone’s descent, Hades

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