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Thinking Through StyleNon-Fiction Prose of the Long Nineteenth Century$
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Michael D. Hurley and Marcus Waithe

Print publication date: 2018

Print ISBN-13: 9780198737827

Published to Oxford Scholarship Online: January 2018

DOI: 10.1093/oso/9780198737827.001.0001

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Virginia Woolf

Virginia Woolf

Writing and the Ordinary Mind

Chapter:
(p.315) 19 Virginia Woolf
Source:
Thinking Through Style
Author(s):

Susan Sellers

Publisher:
Oxford University Press
DOI:10.1093/oso/9780198737827.003.0020

This chapter traces Virginia Woolf’s development as a writer of non-fiction, focusing on her prolific output as an essayist. It sees close links between her ongoing experimentation with the novel form and the evolving form of her essays, and argues that her alterations in style were an integral aspect of her attempt to articulate a response to her largely Victorian inheritance, to the seismic shifts taking place in society and understanding in the early decades of the twentieth century, and to the politics and culture of the 1930s dominated by the rise of fascism. While the chapter ranges across all of Woolf’s essays, there is particular discussion of her 1920 A Room of One’s Own and her 1938 Three Guineas.

Keywords:   Virginia Woolf, Montaigne, Leslie Stephen, the Victorians, modern novel, James Joyce, Eleanor Anne Ormerod, form, feminism, pacifism

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