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Valuing DanceCommodities and Gifts in Motion$
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Susan Leigh Foster

Print publication date: 2019

Print ISBN-13: 9780190933975

Published to Oxford Scholarship Online: March 2019

DOI: 10.1093/oso/9780190933975.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 21 August 2019

Introduction

Introduction

Chapter:
(p.1) Introduction
Source:
Valuing Dance
Author(s):

Susan Leigh Foster

Publisher:
Oxford University Press
DOI:10.1093/oso/9780190933975.003.0001

The Introduction poses the central question of the book: how is value defined and determined in dance? In answering this question it puts forth a definition of value as a central element within human life, but one that is always determined in relation to the specific histories, contexts, and people where it actualizes. Predicated on the symbolic encoding of actions as well as objects, value is often determined through exchange in which one object, service, or event is deemed equivalent to another. The Introduction then considers the general context within which the author’s study of dance as a form of exchange developed: the neoliberal, global marketplace; the increase in service forms of labor; the desire for authenticity; and the precarity of workers. The book argues that despite its ephemerality, dance manifests a materiality that makes it available for study as a form of social exchange. Teachers and students, choreographers and dancers, and performers and viewers all exchange dance. The study considers how value is produced during these exchanges by focusing on two types of transactions: commodity and gift.

Keywords:   value, materiality, global marketplace, exchange, teaching, choreographing, performing, viewing, gift, commodity

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