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Buddhists, Shamans, and SovietsRituals of History in Post-Soviet Buryatia$
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Justine Buck Quijada

Print publication date: 2019

Print ISBN-13: 9780190916794

Published to Oxford Scholarship Online: March 2019

DOI: 10.1093/oso/9780190916794.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 18 October 2019

Introduction

Introduction

“If You Want to Have a Future You Have to Have a Good Relationship to Your Past”

Chapter:
(p.1) Introduction
Source:
Buddhists, Shamans, and Soviets
Author(s):

Justine Buck Quijada

Publisher:
Oxford University Press
DOI:10.1093/oso/9780190916794.003.0001

Applying J. L. Austin’s distinction between constative and performative speech to history-making offers terminology for studying how knowledge about the past is produced and wielded in the present. In drawing a distinction between a historical event as a constative fact and the performative effect of talking about that historical event in the present, scholars can identify historical genres. Just as literary genres are defined by chronotopes (the relationship between time, space, and the hero), so too historical genres can be defined by chronotopes. By indexing these chronotopes, ritual can work to situate people within time and space. In post-Soviet Buryatia, rituals become spaces where people can explore alternative chronotopes and re-evaluate the past. The chapter offers key background information and argues that the stakes of history are higher both in post-authoritarian contexts and among indigenous peoples.

Keywords:   Mikhail Bakhtin, J. L. Austin, performative speech acts, historical genres, chronotope, indigenous peoples, Republic of Buryatia, ritual, post-Soviet period, Ulan-Ude

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