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Hearing the Crimean WarWartime Sound and the Unmaking of Sense$
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Gavin Williams

Print publication date: 2019

Print ISBN-13: 9780190916749

Published to Oxford Scholarship Online: January 2019

DOI: 10.1093/oso/9780190916749.001.0001

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Overhearing Indigenous Silence

Overhearing Indigenous Silence

Crimean Tatars during the Crimean War

Chapter:
(p.88) 4 Overhearing Indigenous Silence
Source:
Hearing the Crimean War
Author(s):

Maria Sonevytsky

Publisher:
Oxford University Press
DOI:10.1093/oso/9780190916749.003.0004

Sonevytsky’s chapter considers the noteworthy lack of historical sources pertaining to Crimean Tatar experiences of the War. It attempts, through analysis of what remains in sonic form, to recover experiences that have largely disappeared from cultural archives through a method of “overhearing” Crimean Tatars in outsider accounts. The chapter examines one British account of the Crimean War, and one Crimean Tatar “émigré song” anthologized by Soviet ethnographers. A closing section discusses Russia’s present-day annexation of Crimea and contemporary efforts to use musical memory as a means of political resilience.

Keywords:   silence, indigeneity, Crimean Tatar, Tatar, genocide, annexation of Crimea

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