Jump to ContentJump to Main Navigation
Documentary Filmmaking in Contemporary BrazilCinematic Archives of the Present$
Users without a subscription are not able to see the full content.

Gustavo Procopio Furtado

Print publication date: 2019

Print ISBN-13: 9780190867041

Published to Oxford Scholarship Online: January 2019

DOI: 10.1093/oso/9780190867041.001.0001

Show Summary Details
Page of

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 18 September 2019

Scenes of Capture in the City

Scenes of Capture in the City

Documentary on the Margins of Social and Archival Visibilities

Chapter:
(p.85) 3 Scenes of Capture in the City
Source:
Documentary Filmmaking in Contemporary Brazil
Author(s):

Gustavo Procopio Furtado

Publisher:
Oxford University Press
DOI:10.1093/oso/9780190867041.003.0004

This chapter discusses documentary approaches to subjects living in conditions of extreme marginalization. Though these subjects arguably suffer from social invisibility, becoming visible more often than not entails their capture in codes that lay beyond their control—such as the sensationalist narratives and stereotypes of the media or the incriminating gaze of institutions and representatives of the law. What are the possibilities and risks for documentary practices that, while aware of the dangers of the visible, insist on visualizing marginalized subjects? Focusing on Padilha’s Ônibus 174 (2002), Maria Augusta Ramos’ Justice (2004) and Behave! (2007), and Paulo Sacramento’s The Prisoner of the Iron Bars, Self-Portraits (2004), this chapter examines the strategies of films that locate their practice at sites where invisible subjects enter the purview of dominant society and reflect on cinema’s own forms of capture as well as on its possibilities for seeing otherwise.

Keywords:   documentary, law and justice, observational film, participatory film, surveillance, marginalization, social invisibility, Bus 174

Oxford Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us .