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Filthy MaterialModernism and the Media of Obscenity$
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Chris Forster

Print publication date: 2018

Print ISBN-13: 9780190840860

Published to Oxford Scholarship Online: November 2018

DOI: 10.1093/oso/9780190840860.001.0001

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Coda

Coda

The Next Lawrence or Joyce: The Obelisk and Olympia Presses

Chapter:
(p.181) Coda
Source:
Filthy Material
Author(s):

Chris Forster

Publisher:
Oxford University Press
DOI:10.1093/oso/9780190840860.003.0008

This brief coda compares two related Parisian anglophone publishers and their most notable publications: Jack Kahane’s Obelisk Press, publisher of Henry Miller’s The Tropic Cancer; and Maurice Girodias’s Olympia Press, publisher of Vladimir Nabokov’s Lolita. It argues that the similarities and differences between these presses, and these novels, illustrate how the “end of obscenity” for books obsolesced the role of the transgressive continental English-language publisher. In both cases, the work published was at odds with how the publisher imagined its role—Miller actively sought to distance himself from the modernism that Kahane took as the justification of his press, whereas Nabokov took exception to being published alongside the pornography that Girodias celebrated. Each captures a tension between modernism, obscenity, and print as a medium.

Keywords:   Obelisk Press, Olympia Press, Jack Kahane, Maurice Girodias, end of obscenity, Henry Miller, Vladimir Nabokov, Lolita, Tropic of Cancer

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