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Rewriting the VictimDramatization as Research in Thailand's Anti-Trafficking Movement$
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Erin M. Kamler

Print publication date: 2019

Print ISBN-13: 9780190840099

Published to Oxford Scholarship Online: March 2019

DOI: 10.1093/oso/9780190840099.001.0001

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Articulating Artist Narratives

Articulating Artist Narratives

Chapter:
(p.210) Chapter 13 Articulating Artist Narratives
Source:
Rewriting the Victim
Author(s):

Erin M. Kamler

Publisher:
Oxford University Press
DOI:10.1093/oso/9780190840099.003.0014

This chapter explores the narratives of the artists who participated in the “Land of Smiles’ production, and the transformation undergone by these artists as the “real” and “fictitious” worlds collided. Through inhabiting a space between characters and the actual people those characters are meant to symbolically represent, the artists experienced a state of “liminality” as well as its complementary state, “rupture,” in which one’s sense of certainty about their place in the world is disrupted. I discuss six key narratives that emerged among the “Land of Smiles” artists, showing how the spaces of liminality and rupture they evoke are foundational to the DAR praxis.

Keywords:   theater, performance, liminality, rupture, narrative, liberation psychology

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