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Performing Queer Modernism$
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Penny Farfan

Print publication date: 2017

Print ISBN-13: 9780190679699

Published to Oxford Scholarship Online: August 2017

DOI: 10.1093/oso/9780190679699.001.0001

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Introduction

Introduction

Chapter:
(p.1) Introduction
Source:
Performing Queer Modernism
Author(s):

Penny Farfan

Publisher:
Oxford University Press
DOI:10.1093/oso/9780190679699.003.0001

This introduction sets forth the book’s central argument and establishes the historical, theoretical, and critical context for its case studies. In the late nineteenth and early twentieth centuries, modern sexual identities emerged into view while at the same time being rendered invisible, as in Oscar Wilde’s 1895 trial on charges of gross indecency and the 1928 obscenity trial of Radclyffe Hall’s The Well of Loneliness. Early stage representations of homosexuality were typically coded or censored, yet the majority of the works considered in this book were highly visible in their subversions of conventional gender and sexual norms. Queer readings of these plays and performances establish connections across high and popular cultural domains, demonstrating that some of traditional modernism’s perceived failures, rejects, and outliers were modernist through their sexual dissidence. These insights in turn contribute to a more precise understanding of how modernity was mediated and how such mediations enacted change.

Keywords:   history of sexuality, performance history, queer theory, modernist studies, modernity, Arthur Wing Pinero, Loie Fuller, Vaslav Nijinsky, Noël Coward, Djuna Barnes

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