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Music and Belonging Between Revolution and Restoration$
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Naomi Waltham-Smith

Print publication date: 2017

Print ISBN-13: 9780190662004

Published to Oxford Scholarship Online: August 2017

DOI: 10.1093/oso/9780190662004.001.0001

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Epilogue

Epilogue

Tornada

Chapter:
(p.245) Epilogue
Source:
Music and Belonging Between Revolution and Restoration
Author(s):

Naomi Waltham-Smith

Publisher:
Oxford University Press
DOI:10.1093/oso/9780190662004.003.0007

Op. 111 marks the culmination of a process across the last three sonatas by which the trill acquires an increasing autonomy from its conventional ornamental function. Among the quartets, it is perhaps only the Grosse Fugue that matches the Arietta’s transformation of the trill. As the fugue subject is fragmented, the trill is cut off from its conventional resolution. Trills then begin to saturate every note in the texture such that their functional potential is entirely eclipsed by their conversion into pure sound. This enjoyment of the trill for its exclusively timbral quality, rather than its capacity to signify harmonic closure, harks back to Beethoven’s idiosyncratic overuse of superfluous ties in the syncopations of the fugal exposition, and in the ...

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