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Foundations of Musical Grammar$
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Lawrence M. Zbikowski

Print publication date: 2017

Print ISBN-13: 9780190653637

Published to Oxford Scholarship Online: August 2017

DOI: 10.1093/oso/9780190653637.001.0001

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Music and Analogy

Music and Analogy

Chapter:
(p.26) Chapter Two Music and Analogy
Source:
Foundations of Musical Grammar
Author(s):

Lawrence M. Zbikowski

Publisher:
Oxford University Press
DOI:10.1093/oso/9780190653637.003.0002

This chapter reviews recent research on analogy and explains how humans’ capacity for analogical thought shapes the production and comprehension of music. The chapter includes an introduction to Lawrence Barsalou’s perceptual symbol systems theory, which is used to explain how embodied experience informs analogical thought, especially that associated with music. Analogical reference, an idea adapted from Peirce’s concept of iconicity, is introduced, leading to a systematic definition of the sonic analogs for dynamic processes that provide the foundation for musical grammar. The chapter also explores how meaning can be constructed through sequences of musical sound.

Keywords:   analogy, analogical reference, cognitive grammar, embodied experience, music, musical grammar, musical meaning, Peirce

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