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Hollywood HarmonyMusical Wonder and the Sound of Cinema$
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Frank Lehman

Print publication date: 2018

Print ISBN-13: 9780190606398

Published to Oxford Scholarship Online: May 2018

DOI: 10.1093/oso/9780190606398.001.0001

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Pantriadic Wonder

Pantriadic Wonder

Chapter:
(p.165) 5 Pantriadic Wonder
Source:
Hollywood Harmony
Author(s):

Frank Lehman

Publisher:
Oxford University Press
DOI:10.1093/oso/9780190606398.003.0006

This chapter focuses on the wider cultural and psychological ramifications of chromaticism in film music. It is argued that pantriadicism strives for a specific affect: wonderment, and with it two subsidiary psychological states, frisson and awe. Both literary and cognitive/psychological accounts are given for this affect’s connection with harmony, with particular emphasis on the relationship of emotion and musical expectation. Frisson and awe have distinctive temporal profiles, leading to an evaluation of theoretical and empirical work on subjective temporality in connection with chromaticism. The analytical ramifications of this theory of chromatic temporality are examined with respect to a single large-scale case study, Howard Shore’s music for the Lord of the Rings trilogy. In the process, the author finds ways of integrating two traditionally separate analytical approaches: transformational networks and cognitive models of musical expectation.

Keywords:   wonder, awe, frisson, Howard Shore, Lord of the Rings, psychology, temporality, expectation, cognition

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