- Title Pages
- Introduction to the Book
- 1 Speaking and Writing as They are Used
- 2 What’s Good about Writing
- 3 Speaking as a Process
- 4 Speech as a Product
- 5 Intonation
- 6 Can We Really Have the Best of Both Worlds?
- 7 What Is Speaking onto the Page and How Does Freewriting Teach It?
- 8 Where Else Do We See Unplanned Speaking onto the Page?
- 9 Considering Objections to Speaking onto the Page
- 10 The Need for Care
- 11 Revising by Reading Aloud
- 12 How Does Revising by Reading Aloud Actually Work?
- 13 Punctuation
- 14 Good Enough Punctuation by Careful Reading Aloud and Listening
- 15 How Speech Can Improve the Organization of Writing
- 16 Summary Chapter
- 17 How Our Culture of Proper Literacy Tries to Exclude Speech
- 18 A New Culture of Vernacular Literacy on the Horizon
- Appendix I How Freewriting Went from Dangerous to No Big Deal in the Composition and Rhetoric Community
- Appendix II A Sampling of Published Writing in Non-Mainstream Varieties of English
- Also by Peter Elbow
- Works Cited
Dante’s Vulgar Eloquence
- Vernacular Eloquence
- Oxford University Press
This section examines how a local spoken language that was derided for writing—the “vulgar” vernacular employed by Dante in The Divine Comedy—could be used for writing of the highest seriousness and quality. It also considers how such a language could eventually become accceptable for writing. It includes two chapters that explore some of the problems with the existing culture of proper literacy and its hostility to speech, as well as the expected emergence of a new culture of vernacular literacy that will welcome speech—and multiple spoken languages—for writing.
Oxford Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
If you think you should have access to this title, please contact your librarian.