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The Desiring-ImageGilles Deleuze and Contemporary Queer Cinema$
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Nick Davis

Print publication date: 2013

Print ISBN-13: 9780199993161

Published to Oxford Scholarship Online: September 2013

DOI: 10.1093/acprof:oso/9780199993161.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 07 April 2020

Introduction: The Desiring-Image

Introduction: The Desiring-Image

Gilles Deleuze and Queer Cinema

Chapter:
(p.3) Introduction: The Desiring-Image
Source:
The Desiring-Image
Author(s):

Nick Davis

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199993161.003.0000

The introduction locates the book’s argument at the productive intersection of queer studies, film theory, and Deleuzian philosophy, clarifying where each field stood in the U.S. academy by the 1990s. From there, the introduction reviews seven theoretical tenets from which all of the book’s arguments derive, explaining such key Deleuzian concepts as desiring-production, deterritorialization, and minor cinema along the way and deriving concrete illustrations from different films than those treated in later chapters. Following some words about the origins, historical context, and disciplinary orientations of the book’s argument, the introduction ends with an overview of each subsequent chapter.

Keywords:   Gilles Deleuze, queer theory, New Queer Cinema, film theory, desire, Cinema 1, Cinema 2

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