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Sampling Media$
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David Laderman and Laurel Westrup

Print publication date: 2014

Print ISBN-13: 9780199949311

Published to Oxford Scholarship Online: April 2014

DOI: 10.1093/acprof:oso/9780199949311.001.0001

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Sampling as Analysis, Sampling as Symptom

Sampling as Analysis, Sampling as Symptom

Found Footage and Repetition in Martin Arnold’s Alone. Life Wastes Andy Hardy

Chapter:
(p.155) 11 Sampling as Analysis, Sampling as Symptom
Source:
Sampling Media
Author(s):

Martin J. Zeilinger

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199949311.003.0012

This chapter represents an attempt to bracket the discourse of private property, authorship, and cultural ownership with which we commonly frame discussions of sampling practices. Instead, the chapter uses psychoanalytical theories of repetition as an alternative framework to counteract the conceptual flattening that often befalls sampling practices when they are accused of infringing intellectual property rights. Exploring this approach in Martin Arnold’s 1998 found footage film Alone. Life Wastes Andy Hardy, an award-winning work of audiovisual sampling, this chapter proposes that the repetition characterizing all sampling works does not require legitimization as an analytical mode of (re-)interpretation or critique. Rather, the repetitions of sampling are symptomatic of culturally, socially, and psychologically productive tendencies that may allow us to work through the alienation characterizing our relationships to cultural expressions bound in repressive circuits of ownership and commodity exchange.

Keywords:   found footage cinema, psychoanalysis, repetition, audiovisual sampling, cultural ownership

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