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French MovesThe Cultural Politics of le hip hop$
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Felicia McCarren

Print publication date: 2013

Print ISBN-13: 9780199939954

Published to Oxford Scholarship Online: September 2013

DOI: 10.1093/acprof:oso/9780199939954.001.0001

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Breaking History

Breaking History

Hélène Cixous’ L’histoire terrible mais inachevée de Norodom Sihanouk, Roi du Cambodge and Yiphun Chiem’s Apsara

Chapter:
(p.122) Chapter 5Breaking History
Source:
French Moves
Author(s):

Felicia McCarren

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199939954.003.0006

Yiphun Chiem’s solo Apsara pairs breakdance with Cambodian traditional dance to describe the layering of identity in the migrant experience, and suggests the impact of both live performance and recording technologies in the global communities transmitting dances.

Keywords:   DANCING—Breakdancing—Gesture in Dance— DANCING—On Television, —Dance and new media, CAMBODIA, TRADITIONAL DANCE—YIPHUN CHIEM APSARA (2007)—COMPAGNIE TRIBAL SARONG, HELENE CIXOUS—l’Histoire Terrible mais inachevée de Norodom Sihanouk, Roi du Cambodge (1984)—Asians—EU—Cultural Assimilation

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