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Dickinson UnboundPaper, Process, Poetics$
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Alexandra Socarides

Print publication date: 2012

Print ISBN-13: 9780199858088

Published to Oxford Scholarship Online: September 2012

DOI: 10.1093/acprof:oso/9780199858088.001.0001

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Epistolary Practices and the Problem of Genre

Epistolary Practices and the Problem of Genre

Chapter:
(p.49) Chapter 2 Epistolary Practices and the Problem of Genre
Source:
Dickinson Unbound
Author(s):

Alexandra Socarides

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199858088.003.0002

Chapter 2 explores Dickinson’s letter-writing practices. Dickinson copied poems onto sheets that she enclosed in her letters, inserted poems into the body of her letters proper, and embedded poems into the prose itself. This chapter explains how and why she did this; what it meant for her to revisit a poem she had copied onto a sheet or, inversely, to revisit a poem she had sent to a correspondent in order to later copy it onto a sheet; and to deduce what creating a new material context indicates about the relationship between poetry and letters. By looking at the intersection of Dickinson epistolary practices and poetry copying practices, this chapter argues not that Dickinson was either an upholder of generic categories or a great innovator who challenged the distinction between letter and poem. Instead, Dickinson combined practices, defied conventions, and tapped into the permeability of both modes of writing, but she seems not to have been concerned with the generic issues that later readers and editors have asked her poems and letters to address.

Keywords:   letter writing, epistolarity, poetry copying

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