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Experience and Meaning in Music Performance$
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Martin Clayton, Byron Dueck, and Laura Leante

Print publication date: 2013

Print ISBN-13: 9780199811328

Published to Oxford Scholarship Online: January 2014

DOI: 10.1093/acprof:oso/9780199811328.001.0001

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Introduction

Introduction

Experience and Meaning in Music Performance

Chapter:
(p.1) 1 Introduction
Source:
Experience and Meaning in Music Performance
Author(s):

Martin Clayton

Byron Dueck

Laura Leante

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199811328.003.0001

This chapter introduces the co-authored volume Experience and Meaning in Music Performance. The three key terms are introduced and defined alongside an explanation of the overall aims and methods of the project. Two themes that cut across each of these are delineated: entrainment and gesture; in the following section, some theoretical considerations concerning universal and culturally specific ways of considering the role of the body, and the relationship between meaning and embodiment, are presented. The chapter concludes with discussion of methodologies employed by authors within the framework of the project.

Keywords:   Experience, Meaning, Performance, Embodiment, Entrainment, Gesture

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