The Transatlantic Jazz Invasion and the Remaking of Englishness
When jazz arrived in England, the nation was on an imaginative precipice: both grasping after history and attempting to bury it, haunted by terrible loss and eager to forget it in a frenzy of music and dance. As the contest over the jazz invasion raged in English newspapers and periodicals, in drawing rooms and public houses, the debate turned jazz into a metaphor for the modernization of England. This chapter demonstrates how a range of writers across the political spectrum, from Elizabeth Bowen and Virginia Woolf to Wyndham Lewis and W.H. Auden, each quite differently mobilized this metaphor. While it may seem surprising for writers to turn to American jazz music to explore the interwar crisis of Englishness, it was precisely because jazz invoked so many competing discourses—art and entertainment, whiteness and blackness, England and America—that it served this end so well.
Oxford Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
If you think you should have access to this title, please contact your librarian.