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Pioneer PerformancesStaging the Frontier$
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Matthew Rebhorn

Print publication date: 2012

Print ISBN-13: 9780199751303

Published to Oxford Scholarship Online: May 2012

DOI: 10.1093/acprof:oso/9780199751303.001.0001

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The Blackface Pioneer

The Blackface Pioneer

Thomas Dartmouth Rice and Minstrelsy's Frontier History

Chapter:
(p.71) Chapter Three The Blackface Pioneer
Source:
Pioneer Performances
Author(s):

Matthew Rebhorn

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199751303.003.0004

This chapter reads the history of blackface minstrelsy, particularly T. D. Rice's successful farce, The Virginia Mummy (1837), as a part of the history of frontier performance. Rice's performance explodes the politics of Paulding's melodrama of wonder in The Lion of the West. By charting the two works' shared, if unexplored, performative histories, this chapter argues that Rice's Jim Crow character does not exploit or expropriate black culture, nor is its rebelliousness merely derived from black cultural sources, as numerous competing critics have claimed. Rather, by mapping the places where Rice performed his minstrel character across the United States, this chapter demonstrates how those performances sharpened their racial satire by lampooning the frontiersman, a character who purposely mimics Paulding's Wildfire. Restaging the frontier, the minstrel show eliminated the tidy line dividing whiteness from racial “otherness” and created in its place a zone of racial cross-pollination. The minstrel show generated some of its most acute political critiques and aesthetic innovations by manipulating a set of performative practices associated with the frontier. By mining the rich imagery associated with minstrelsy's frontier history—particularly its black and Indian bodies—this chapter reveals the key role that the frontier played in minstrelsy's attempts both to question American racial stereotypes and to imagine a theatrical zone and social space beyond prescriptive notions of race.

Keywords:   blackface, minstrelsy, frontiersman, body, blackness, racial performance, race, t. d. rice, james kirke paulding

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