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Luxury and PowerThe Material World of the Stuart Diplomat, 1660-1714$
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Helen Jacobsen

Print publication date: 2011

Print ISBN-13: 9780199693757

Published to Oxford Scholarship Online: January 2012

DOI: 10.1093/acprof:oso/9780199693757.001.0001

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Collecting and Connoisseurship

Collecting and Connoisseurship

Chapter:
(p.65) 3 Collecting and Connoisseurship
Source:
Luxury and Power
Author(s):

Helen Jacobsen

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199693757.003.0004

Collecting and connoisseurship in the second half of the seventeenth century has often suffered a bad press, sandwiched as it is between the art collecting passions of the Caroline court and the rules of taste of the Augustan Age. This chapter shows by contrast that English diplomats were in the forefront of taste and collecting, and not only displayed the same level of connoisseurship as their predecessors, but were also instrumental in bringing new styles and genres of painting – Dutch and Netherlandish still lifes, genre paintings, interiors and landscapes, and French decorative wall and ceiling paintings being the most obvious examples – and artists themselves to England. Diplomatic patronage also illustrates the comparatively broad socio-economic penetration of art collecting by 1700. Paintings were collected in the seventeenth century for their novelty, for their decorative qualities, for the distinction they conferred, and for reasons of political patronage, as well as for the appreciation of artistic talent.

Keywords:   painting, connoisseurship, taste, collecting, Caroline courts, Augustan Age, Netherlandish painting, Dutch painting, genre painting, still lifes, French decorative painting, diplomatic patronage, artistic patronage

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