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Art and Abstract Objects$
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Christy Mag Uidhir

Print publication date: 2013

Print ISBN-13: 9780199691494

Published to Oxford Scholarship Online: January 2013

DOI: 10.1093/acprof:oso/9780199691494.001.0001

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Musical Works: A Mash-Up

Musical Works: A Mash-Up

Chapter:
(p.284) 13 Musical Works: A Mash-Up
Source:
Art and Abstract Objects
Author(s):

Joseph G. Moore

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199691494.003.0014

It is argued that the concept of a musical work shifts innocuously with judgmental setting between the notion of a sound-structure and a more musically flexible notion that is grounded in musico-historical context. This ‘individuative indeterminacy’ in the work-concept explains and defuses a debate between ‘contextualists’ and ‘structuralists’ about the individuation of musical works, but it raises the Quinean worry that musical works are ontologically illegitimate ‘entities without identity’. It is argued that this challenge can be met by adopting a supervaluation model of how the work-concept shifts, coupled with a disjunctive (‘schizoid’) metaphysics and a semantic pretense account of our seeming reference to individual musical works. The proposed view also suggests that the existence conditions of musical works are indeterminate—one of the two entities that grounds thought and talk about musical works comes into (and goes out of) existence while the other does not.

Keywords:   musical works, metaphysics, individuation, supervaluation, sound-structure, provenance

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