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Romance and the Gentry in Late Medieval England$
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Michael Johnston

Print publication date: 2014

Print ISBN-13: 9780199679782

Published to Oxford Scholarship Online: August 2014

DOI: 10.1093/acprof:oso/9780199679782.001.0001

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Gentry Romances

Gentry Romances

The Manuscript Evidence

Chapter:
(p.90) 3 Gentry Romances
Source:
Romance and the Gentry in Late Medieval England
Author(s):

Michael Johnston

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199679782.003.0004

This chapter examines the provenance and production of manuscripts containing gentry romances, arguing that both the intended and actual audience of these texts was the same: late medieval England’s minor landowners. The author identifies two bodies of evidence signaling that non-commercial scribes produced these collections of romances—almost always working in the vicinity of their gentry owners, quite often in their households. First, the confluence of scribal dialect and provenance demonstrates that the scribes of the romances hailed from the immediate vicinity of the romances’ earliest owners, suggesting that the gentry commissioned such books from scribes who lived and worked near them. Second, the irregular and ad-hoc nature of these manuscripts similarly indicates that non-commercial scribes were responsible for their production.

Keywords:   Brogyntyn II.i, Findern, Ff.2.38, Heege Manuscript, Thornton Manuscript, Cotton Caligula a.2, Egerton 2862, Ashmole 61, Ireland Manuscript)

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