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Speaking to YouContemporary Poetry and Public Address$
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Natalie Pollard

Print publication date: 2012

Print ISBN-13: 9780199657001

Published to Oxford Scholarship Online: September 2012

DOI: 10.1093/acprof:oso/9780199657001.001.0001

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Introduction

Introduction

Chapter:
(p.1) (p.2) Introduction
Source:
Speaking to You
Author(s):

Natalie Pollard

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199657001.003.0001

The Introduction engages the literary history of address, from Shelley's Romantic account of the poem's pronouns ‘I, you, he, she’ as merely ‘modifications of the one mind’, to John Stuart Mill's account of the poem as secondarily ‘overheard’ by audiences who have no part in the poem's shaping, to T. S. Eliot's active listener in a poetic drama, and on to the effects of Culler's and Paul de Man's theories of address and apostrophe as ‘interiorization’. It offers readings of several contemporary poets who use address, in order to advance the claim that saying you is a public and political act, engaged in negotiations of identity, nationhood, and regional belonging or estrangement from communities. It also flags up how later poets use address to speak back to Modernist and Movement writers, and details what is at stake politically in poets’ engagement, both critically and complimentarily, with a culture's literary inheritance.

Keywords:   contemporary, modernist, public, address, poetry, pronouns, you, Eliot, Pound, Larkin

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