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Travelling in Different SkinsGender Identity in European Women's Oriental Travelogues, 1850-1950$
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Dúnlaith Bird

Print publication date: 2012

Print ISBN-13: 9780199644162

Published to Oxford Scholarship Online: September 2012

DOI: 10.1093/acprof:oso/9780199644162.001.0001

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Performance in Motion

Performance in Motion

Gender Identity, Performativity, and Travel Writing

Chapter:
(p.66) 3 Performance in Motion
Source:
Travelling in Different Skins
Author(s):

Dúnlaith Bird

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199644162.003.0003

Having considered the theorisation of performativity by Judith Butler and Mary Louise Pratt, this chapter uses theatrical performances both in the fictional writing of Colette and Rachilde and in the travelogues of Isabelle Eberhardt to demonstrate how performance and performativity intertwine in the disorderly motion of vagabondage. The second section examines the Orient as a staging space for female movement, where a potent form of gender proxemics comes into play between the body of the woman travel writer and her Oriental subjects. The travelogue becomes a location of misfiring gender constructions, temporary contact zones and dramatic destruction. Finally, the chapter explores the disconcerting effects produced when textuality and the female body in motion collide in vagabondage travelogues.

Keywords:   performance, performativity, Judith Butler, theatricality, gender proxemics, mobility, contact zone, Mary Louise Pratt, Orient, imperialism

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