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The Quest for CardenioShakespeare, Fletcher, Cervantes, and the Lost Play$
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David Carnegie and Gary Taylor

Print publication date: 2012

Print ISBN-13: 9780199641819

Published to Oxford Scholarship Online: September 2012

DOI: 10.1093/acprof:oso/9780199641819.001.0001

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Looking for Shakespeare in Double Falsehood: Stylistic Evidence

Looking for Shakespeare in Double Falsehood: Stylistic Evidence

Chapter:
(p.133) 7 Looking for Shakespeare in Double Falsehood: Stylistic Evidence
Source:
The Quest for Cardenio
Author(s):

MacDonald P. Jackson

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199641819.003.0007

This chapter assesses stylistic evidence for supposing that Lewis Theobald’s Double Falsehood had its basis in at least one manuscript descended from the Cardenio known to have been performed by the King’s Men in 1613, and for crediting Humphrey Moseley’s 1653 attribution of Cardenio to Fletcher and Shakespeare. In particular it tests the allocations of the great attribution scholar E. H. C. Oliphant, who considered that Theobald’s revising hand could be detected in every scene of Double Falsehood, but attempted to distinguish between stretches of text (a) almost entirely by Fletcher, (b) containing a Fletcherian substratum, (c) containing a Shakespearean substratum, and (d) of Theobald’s own invention. Previously advanced evidence is evaluated and new analyses are carried out: of pauses within verse lines, linguistic forms and expletives, and (most significantly) phrases that Literature Online reveals to be peculiar to one of the three dramatists: Theobald, Fletcher, and Shakespeare.

Keywords:   authorship, attribution, style, parallels, Literature Online, Shakespeare, Fletcher, Theobald, Oliphant

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