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The Quest for CardenioShakespeare, Fletcher, Cervantes, and the Lost Play$
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David Carnegie and Gary Taylor

Print publication date: 2012

Print ISBN-13: 9780199641819

Published to Oxford Scholarship Online: September 2012

DOI: 10.1093/acprof:oso/9780199641819.001.0001

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Restoring Double Falsehood to the Perpendicular for the RSC *

Restoring Double Falsehood to the Perpendicular for the RSC *

Chapter:
(p.360) 23 Restoring Double Falsehood to the Perpendicular for the RSC*
Source:
The Quest for Cardenio
Author(s):

Gregory Doran

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199641819.003.0023

This chapter considers the theatrical challenges of reimagining Double Falsehood/Cardenio for production at the Royal Shakespeare Company, where Gregory Doran, the author, is the Chief Associate Director. Having directed a number of Fletcher plays for the company, including The Tamer Tamed, The Island Princess, and the Shakespeare collaboration All is True (Henry VIII), Doran became fascinated by the mysterious Cardenio, developing his adaptation of Theobald’s Double Falsehood with help from theatre colleagues and academic communities in Spain, to reassert some of the tone of the Cervantes’s original; and testing the text with Spanish-American actors from New York’s LAByrinth Theatre Company at an RSC residency in Michigan University, and in two workshops in Stratford. His purpose is not to pastiche an ‘authentic’ version of what the play might have been in 1613, but to re-explore the story in theatre terms for the twenty-first century. The production reopened the Swan Theatre in April 2011.

Keywords:   Cardenio, Double Falsehood, John Fletcher, theatrical adaptation, Royal Shakespeare Company, Swan Theatre, Stratford-upon-Avon, Gregory Doran, Cervantes

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