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Synge and Edwardian Ireland$
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Brian Cliff and Nicholas Grene

Print publication date: 2011

Print ISBN-13: 9780199609888

Published to Oxford Scholarship Online: January 2012

DOI: 10.1093/acprof:oso/9780199609888.001.0001

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Ghostly Intertexts

Ghostly Intertexts

James Joyce and the Legacy of Synge

Chapter:
(p.225) 13 Ghostly Intertexts
Source:
Synge and Edwardian Ireland
Author(s):

Anne Fogarty

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199609888.003.0014

Synge and Joyce have most commonly been seen as opposites, divided by class, religion and background and by their differing attitudes to the ideals of the literary revival. Yet, examination of the pivotal meeting of Synge and Joyce in Paris in 1903 reveals that the hostility between them masks convergences between their aesthetic. Joyce plays with and restages aspects of Synge's work throughout his writings thereby indicating the extent to which he is haunted by the influence of his predecessor. It is particularly Riders to the Sea, the first text by Synge with which he closely engaged and that he initially rejected, which troubles and beguiles him, with its capacity to remould classical convention to deliver insights into the primitivist truths of Irish society and to invent a text that is defiantly different and modern. He returns consistently to Riders throughout his career and continues to reflect on its troubling radicalism.

Keywords:   rivalry, Other, spectral, ghostly intertext, shift, radical, modernism

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