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Exotic Spaces in German Modernism$
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Jennifer Anna Gosetti-Ferencei

Print publication date: 2011

Print ISBN-13: 9780199604128

Published to Oxford Scholarship Online: January 2012

DOI: 10.1093/acprof:oso/9780199604128.001.0001

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Conclusion

Conclusion

Chapter:
(p.250) Conclusion
Source:
Exotic Spaces in German Modernism
Author(s):

Jennifer Anna Gosetti-Ferencei

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199604128.003.0007

The exploration and imagination of exotic spaces allows authors not only to expand the topography of the modern literary imagination, but also to examine and contest the modern understanding of the European self and the familiar world which it ordinarily inhabits. The observation, imagination, or appreciation of exotic foreign topographies in works by Hofmannsthal, Hesse, Dauthendey, Mann, Zweig, Kafka, Musil, Benn, Kubin, and Brecht, provokes critical self-reflection about modern European forms of consciousness. The theoretical context for this critical self-reflection includes some of the major thinkers of German modernity, including Simmel, Weber, Nietzsche, Schopenhauer, Worringer, and Freud. Revealed are radically different possibilities for understanding and for living life, recognition of the precariousness of the familiar world. These works testify to the power and relevance of imagination, of cultural memory and expectation, of history, emotion, and the aesthetic sensibility in our experience of the world as a shifting symbolic topography.

Keywords:   exotic topography, Thomas Mann, Hugo von Hofmannsthal, Hermann Hesse, Max Dauthendey, Franz Kafka, Stefan Zweig, Robert Musil, Gottfried Benn, Alfred Kubin, Bertolt Brecht

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