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Dante in the Long Nineteenth CenturyNationality, Identity, and Appropriation$
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Aida Audeh and Nick Havely

Print publication date: 2012

Print ISBN-13: 9780199584628

Published to Oxford Scholarship Online: May 2012

DOI: 10.1093/acprof:oso/9780199584628.001.0001

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Epilogue: Dante and Early Italian Cinema: The 1911 Milano-Films Inferno and Italian Nationalism

Epilogue: Dante and Early Italian Cinema: The 1911 Milano-Films Inferno and Italian Nationalism

Chapter:
(p.353) Epilogue: Dante and Early Italian Cinema: The 1911 Milano-Films Inferno and Italian Nationalism
Source:
Dante in the Long Nineteenth Century
Author(s):

Nick Havely

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199584628.003.0019

This chapter revisits Italy and turns to Dante on screen. It considers the role of early Italian cinema, giving particular attention to the cultural and political contexts of the 1911 Milano-Films Inferno — a project that took shape during a decade which also saw significant developments in Italian nationalism before the country's entry into the First World War.

Keywords:   Dante, Italian cinema, nationalism, Italian films

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