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Morbid CuriositiesMedical Museums in Nineteenth-Century Britain$
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Samuel J.M.M. Alberti

Print publication date: 2011

Print ISBN-13: 9780199584581

Published to Oxford Scholarship Online: May 2011

DOI: 10.1093/acprof:oso/9780199584581.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 17 October 2019

Introduction

Introduction

A Parliament of Monsters

Chapter:
(p.1) 1 Introduction
Source:
Morbid Curiosities
Author(s):

Samuel J. M. M. Alberti

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199584581.003.0001

The first chapter introduces the key concepts of the book by discussing one particular specimen (an ulcerated oesophagus). It goes on to outline the spectrum of individuals and institutions that collected and displayed human remains in nineteenth-century Britain: private anatomy schools, universities, hospital museums, royal colleges, pathological societies, and commercial anatomy exhibitions, as exemplified by the contrast between Bartholomew Fair (where Wordsworth observed ‘a parliament of monsters’) and St Bartholomew's Hospital (that ‘Valhalla of spoils snatched from the dead, the dying, the living, and those who have never been born’). It lays out the early modern pre-history of the collections from cabinets of curiosity to Enlightenment London, especially the key collections of the brothers John and William Hunter.

Keywords:   Enlightenment, exhibitionary complex, John Hunter, William Hunter, fragments, deviance, anatomy, pathology, Thomas Hodgkin

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