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The Kantian AestheticFrom Knowledge to the Avant-Garde$
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Paul Crowther

Print publication date: 2010

Print ISBN-13: 9780199579976

Published to Oxford Scholarship Online: May 2010

DOI: 10.1093/acprof:oso/9780199579976.001.0001

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Pure Aesthetic Judgement: A Harmony of Imagination and Understanding

Pure Aesthetic Judgement: A Harmony of Imagination and Understanding

Chapter:
(p.60) 3 Pure Aesthetic Judgement: A Harmony of Imagination and Understanding
Source:
The Kantian Aesthetic
Author(s):

Paul Crowther (Contributor Webpage)

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199579976.003.0004

This chapter expounds on and critically revises Kant's general criterion of the aesthetic. It then offers a similar strategy in relation to the key features in his account of the pure aesthetic judgement, namely, disinterestedness, subjective finality, and the harmony of imagination and understanding. Working from these revisions, a detailed phenomenology of beautiful form is offered. This account emphasizes the temporal dimension of the pure aesthetic judgement in a more consistent way than Kant does himself. Particular emphasis is given to the role of the categories and transcendental schemata in the pure aesthetic judgement, and its role in the ontogenesis of experience. It is argued that such judgement is an open-ended variety of what might be called the emergent judgement of reflection.

Keywords:   pure aesthetic judgement, disinterestedness, subjective finality, beautiful form, transcendental schemata, ontogenesis of experience

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