This Epilogue briefly summarizes the complex, contradictory attitudes toward Jews, Judaism, and the Hebrew Bible, which was a tool of both the powerful and the powerless and whose narratives proved foundational to English Protestant Christianity. ‘Israel’ could mean many different things, and the claim to be the true Israel, God's chosen, was contested. The preoccupation with the connection between England (and later America) and Israel—and with redefining who or what is ‘Israel’—continued long after the seventeenth century. It can be seen in Handel's music, the later phenomenon of British Israelism, the settlement of New England, the American Revolution, and even Emma Lazarus's poem on the Statue of Liberty.
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