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Music and ConsciousnessPhilosophical, Psychological, and Cultural Perspectives$
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David Clarke and Eric Clarke

Print publication date: 2011

Print ISBN-13: 9780199553792

Published to Oxford Scholarship Online: January 2012

DOI: 10.1093/acprof:oso/9780199553792.001.0001

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Music perception and musical consciousness

Music perception and musical consciousness

Chapter:
(p.193) Chapter 11 Music perception and musical consciousness
Source:
Music and Consciousness
Author(s):

Eric Clarke

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199553792.003.0063

This chapter uses ideas from James Gibson's ecological approach to perception, Gerald Edelman's distinction between primary and higher-order consciousness, and Daniel Dennett's ‘multiple drafts’ model, to explore the consequences for consciousness of the reciprocal relationship between musical materials and perceptual processes.

Keywords:   James Gibson, perception, Gerald Edelman, consciousness, Daniel Dennett, multiple drafts model, musical materials

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