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Music and ConsciousnessPhilosophical, Psychological, and Cultural Perspectives$
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David Clarke and Eric Clarke

Print publication date: 2011

Print ISBN-13: 9780199553792

Published to Oxford Scholarship Online: January 2012

DOI: 10.1093/acprof:oso/9780199553792.001.0001

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Music perception and musical consciousness

Music perception and musical consciousness

(p.193) Chapter 11 Music perception and musical consciousness
Music and Consciousness

Eric Clarke

Oxford University Press

This chapter uses ideas from James Gibson's ecological approach to perception, Gerald Edelman's distinction between primary and higher-order consciousness, and Daniel Dennett's ‘multiple drafts’ model, to explore the consequences for consciousness of the reciprocal relationship between musical materials and perceptual processes.

Keywords:   James Gibson, perception, Gerald Edelman, consciousness, Daniel Dennett, multiple drafts model, musical materials

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