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Music and ConsciousnessPhilosophical, Psychological, and Cultural Perspectives$
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David Clarke and Eric Clarke

Print publication date: 2011

Print ISBN-13: 9780199553792

Published to Oxford Scholarship Online: January 2012

DOI: 10.1093/acprof:oso/9780199553792.001.0001

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The music of what happens:

The music of what happens:

mind, meditation, and music as movement

Chapter:
(p.95) Chapter 6 The music of what happens:
Source:
Music and Consciousness
Author(s):

Ansuman Biswas

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199553792.003.0040

A significant lacuna in academic and scientific studies of consciousness is a description of how it actually feels to be here. The study of consciousness has proved to be extremely elusive when using the traditional third-person methodology of science. Any description of qualia — by definition lived, subjective experience — seems to necessitate the admission of first-person data, which has hitherto been the province of the arts. If the problem of consciousness is nothing more than the attempt to capture the mechanism and experience of being a person, then each of us can appeal to only one authority for an answer. This chapter speaks from the personal perspective of a multidisciplinary artist-researcher, drawing on the experience of a praxis that inhabits a space between art, science, and religion. It offers a richly personal account of music and consciousness that is at every stage informed by the practice and principles of vipassana meditation.

Keywords:   music, consciousness, vipassana meditation, qualia, personal perspective

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