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Music and ConsciousnessPhilosophical, Psychological, and Cultural Perspectives$
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David Clarke and Eric Clarke

Print publication date: 2011

Print ISBN-13: 9780199553792

Published to Oxford Scholarship Online: January 2012

DOI: 10.1093/acprof:oso/9780199553792.001.0001

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Enactive consciousness, intertextuality, and musical free improvisation:

Enactive consciousness, intertextuality, and musical free improvisation:

deconstructing mythologies and finding connections

Chapter:
(p.79) Chapter 5 Enactive consciousness, intertextuality, and musical free improvisation:
Source:
Music and Consciousness
Author(s):

Bennett Hogg

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199553792.003.0037

This chapter explores the connection between the idea of consciousness understood as enactive cognition and the perceptions within philosophy that ‘knowledge depends on being in a world that is inseparable from our bodies, our language, and our social history — in short, from our embodiment’. Various avatars of these three factors of our knowledge — body, language, and history — reappear over and over in what follows. However, what has become the main theme of the chapter arrived unexpectedly in the connection that emerged between an understanding of consciousness as an enactive phenomenon, and a speculative and specifically musical/sonic interpretation of the idea of intertextuality.

Keywords:   consciousness, enactive cognition, knowledge, embodiment, intertextuality

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