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Language and Music as Cognitive Systems$
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Patrick Rebuschat, Martin Rohmeier, John A. Hawkins, and Ian Cross

Print publication date: 2011

Print ISBN-13: 9780199553426

Published to Oxford Scholarship Online: January 2012

DOI: 10.1093/acprof:oso/9780199553426.001.0001

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Modularity in music relative to speech: framing the debate

Modularity in music relative to speech: framing the debate

Chapter:
(p.310) Chapter 32 Modularity in music relative to speech: framing the debate
Source:
Language and Music as Cognitive Systems
Author(s):

Isabelle Peretz

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199553426.003.0032

This chapter presents a response to the commentaries in Chapters 28–31. It addresses the four points raised by Besson and Schön on their comments questioning the usefulness of the modularity frame. Skoe and Kraus provide a useful reminder and compelling case for considering that cortical modules do not function in isolation from subcortical neural systems. They remind us of the importance of top-down processing or corticofugal influences on the early tuning of brainstem responses to auditory input. Goswami draws attention to the role of prosody and rhythm in both music and speech from development and animal cognition. This chapter thanks Goswami for bringing to attention a study in which auditory chimera were created by interchanging sentences for melodies in using the envelope of one sentence or melody and the fine time structure of another.

Keywords:   modularity, subcortical neural systems, top-down processing, prosody, rhythm, animal cognition

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