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Outside the Lettered CityCinema, Modernity, and the Public Sphere in Late Colonial India$
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Manishita Dass

Print publication date: 2015

Print ISBN-13: 9780199394388

Published to Oxford Scholarship Online: October 2015

DOI: 10.1093/acprof:oso/9780199394388.001.0001

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Conclusion

Conclusion

The Once and Future Public

Chapter:
(p.183) Conclusion
Source:
Outside the Lettered City
Author(s):

Manishita Dass

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199394388.003.0006

The conclusion relates the book’s findings about perceptions of the cinematic public in late colonial India to lingering tensions at the heart of Indian democracy and to developments in India’s postcolonial mediascape. After independence, the Indian state continued to be suspicious of the entertainment industry, withholding substantive support and strengthening colonial regimes of film censorship and taxation. Even though the media landscape changed dramatically after 1991, as economic liberalization opened the media sector, colonial-era images of the mass public continue to cast a shadow across contemporary discourses about media audiences.

Keywords:   mass public, public sphere, film censorship, cinema, Indian democracy

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