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Flowing TidesHistory and Memory in an Irish Soundscape$
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Gearóid Ó hAllmhuráin

Print publication date: 2016

Print ISBN-13: 9780199380084

Published to Oxford Scholarship Online: August 2016

DOI: 10.1093/acprof:oso/9780199380084.001.0001

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Recentering the Musical Periphery

Recentering the Musical Periphery

Chapter:
(p.19) 1 Recentering the Musical Periphery
Source:
Flowing Tides
Author(s):

Gearóid Ó hAllmhuráin

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199380084.003.0002

Critiquing Clare as a polyverse—an audiotopic site where longue durée cultural flows and cross-currents intersected, were indigenized, and were redirected back again into outbound flows—this chapter examines the process of documenting Clare’s musical past: the collectors, broadcasters, and filmmakers who archived its soundscape since the nineteenth century. It deploys Arjun Appadurai’s “scapes” theory—ethnoscapes, ideoscapes, mediascapes, technoscapes, and financescapes—to frame a broad historical and ethnomusicological synthesis and to accentuate the symbiosis between place and memory that informs the complex lifeworlds of traditional musicians in Clare.

Keywords:   ethnoscapes, ideoscapes, mediascapes, technoscapes, financescapes, longue durée, space-place, sonic archive, polyverse, collectors

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