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Some of These DaysBlack Stars, Jazz Aesthetics, and Modernist Culture$
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James Donald

Print publication date: 2015

Print ISBN-13: 9780199354016

Published to Oxford Scholarship Online: May 2015

DOI: 10.1093/acprof:oso/9780199354016.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 18 November 2019

Introduction

Introduction

A Migration of Stars

Chapter:
(p.1) Introduction
Source:
Some of These Days
Author(s):

James Donald

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199354016.003.0001

Starting with the response to jazz in the 1920s by Jean-Paul Sartre and Simone de Beauvoir, the introduction examines how a fantasy of Black America provided European audiences, and especially European artists and intellectuals, with a way of negotiating the experience of modernity. It describes the celebrity of Josephine Baker in France and Germany. It offers a theoretical account of the affective and psychological aspects of modernity, drawing especially on the work of Georg Simmel, Siegfried Kracauer, and (to a lesser extent) Walter Benjamin. It charts the arrival of Paul Robeson in London. A reading of the Bloomsbury art theorist Clive Bell’s anti-jazz polemic “Plus de Jazz” sets the scene for an account of T. S. Eliot’s The Waste Land as a poem that consciously responded to the modernist aesthetic embodied in jazz. The chapter shows how the imaginative take-up of Black America was a feature of transatlantic modernism.

Keywords:   jazz, Sartre, Beauvoir, modernity, Josephine Baker, Simmel, Kracauer, T. S. Eliot, The Waste Land, transatlantic modernism

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