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Charlotte Brontë: The Imagination in History$
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Heather Glen

Print publication date: 2004

Print ISBN-13: 9780199272556

Published to Oxford Scholarship Online: October 2011

DOI: 10.1093/acprof:oso/9780199272556.001.0001

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Introduction

Introduction

Chapter:
(p.xii) (p.1) Introduction
Source:
Charlotte Brontë: The Imagination in History
Author(s):

Heather Glen

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199272556.003.0001

This book explores Charlotte Brontë's novels and the feelings they continue to stir in her readers. For generations, Brontë's novels have stirred their readers to intense and passionate response. Theirs is a world very different from those configured by the great Victorian social novelists: a world not of subtle moral discriminations, but of black-and-white difference and life-and-death struggle, of primitive emotion and ‘feverish disquiet’. The experience they offer is of suspense, of excitement, of repulsion; one takes sides with the hero or heroine, or recoils in dislike or ‘pain’. Indeed, as Brontë's first reviewers' uneasy sense of her novels' ‘blasphemy’ and ‘painfulness’ has been replaced in more recent criticism by a charting of her ideological blind spots, it has become perhaps more severe. Her works are now more confidently judged as responses to a ‘history’ whose essential questions and contours are assumed to be well known.

Keywords:   Charlotte Brontë, novels, Victorian, emotion, ideological blind spots, history

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