Show Summary Details
- Title Pages
- Dedication
- Preface to the Second Edition
- Acknowledgements
- A note on texts
- Abbreviations
- Introduction The First Acquaintance of the Poets, 1793–7
- 1 Interaction and Influence: The Early Days at Alfoxden
- 2 Collaboration and Independence: Alfoxden and the making of a Myth
- 3 ‘The Language of my Former Heart’: Coleridge's Letter to Sara Hutchinson, April 1802
- 4 ‘Radical Difference’: Wordsworth and Coleridge in 1802
- 5 ‘A something given’: Two Versions of <i>The Leechgatherer</i>
- 6 The Little Actor and His Mock Apparel
- 7 ‘A Strong Confusion’: Coleridge's Presence in <i>The Prelude</i>
- Epilogue ‘Triumphal Wreaths’—<i>To William Wordsworth</i> and <i>A Complaint</i>
- Appendix ‘In City Pent’: Echo and Allusion in Wordsworth, Coleridge, and Lamb, 1797–1801
- <b>Index</b>
Title Pages
Title Pages
- Source:
- Coleridge, Wordsworth and the Language of Allusion
- Publisher:
- Oxford University Press
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- Title Pages
- Dedication
- Preface to the Second Edition
- Acknowledgements
- A note on texts
- Abbreviations
- Introduction The First Acquaintance of the Poets, 1793–7
- 1 Interaction and Influence: The Early Days at Alfoxden
- 2 Collaboration and Independence: Alfoxden and the making of a Myth
- 3 ‘The Language of my Former Heart’: Coleridge's Letter to Sara Hutchinson, April 1802
- 4 ‘Radical Difference’: Wordsworth and Coleridge in 1802
- 5 ‘A something given’: Two Versions of <i>The Leechgatherer</i>
- 6 The Little Actor and His Mock Apparel
- 7 ‘A Strong Confusion’: Coleridge's Presence in <i>The Prelude</i>
- Epilogue ‘Triumphal Wreaths’—<i>To William Wordsworth</i> and <i>A Complaint</i>
- Appendix ‘In City Pent’: Echo and Allusion in Wordsworth, Coleridge, and Lamb, 1797–1801
- <b>Index</b>
