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Pushkin's Lyric Intelligence$
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Andrew Kahn

Print publication date: 2008

Print ISBN-13: 9780199234745

Published to Oxford Scholarship Online: September 2008

DOI: 10.1093/acprof:oso/9780199234745.001.0001

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A Reticent Imagination

A Reticent Imagination

Chapter:
(p.88) 4 A Reticent Imagination
Source:
Pushkin's Lyric Intelligence
Author(s):

Andrew Kahn (Contributor Webpage)

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780199234745.003.0005

This chapter explores the meaning of concepts such as subjectivity, imagination, and mimesis that from the late 1820s provided a counter-current to the classical ideal. Although Pushkin was inherently conservative as a lyricist, he understood how the classical could become the Romantic. His approach to innovation as a type of creative recycling met the Romantic revolutionary ideal halfway. But from 1826, the path to Romantic subjectivity through imagination also lay open to Pushkin. Issues once given little urgency in his poetry became more critical from 1826. It is shown that the transition to a greater Romantic lyric was tentative, and that Pushkin only intermittently transposed his reading about the imagination and subjectivity into poems that are statements about the creative mind.

Keywords:   Pushkin, lyric poetry, Galich, Coleridge, Hazlitt, radicalism

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